
Julia Misbehaves
When her daughter (Elizabeth Taylor) gets engaged, a madcap music hall performer (Greer Garson) tumbles back into the life of her estranged husband (Walter Pidgeon). Please note: We will be screening a 16mm archive print of this film which cannot be cut and mounted onto one reel. There will be brief pauses for reel changes.
“Men! The minute we’re alone, he just wants to kiss me!” So declares a 16-year-old Taylor in a scene from director Jack Conway’s raucous romantic comedy, which features the actress’s first on-screen kiss (with Peter Lawford). In the fifth of her eight screen pairings with co-star Walter Pidgeon, the splendid Greer Garson stars as a second-rate London dancehall actress who travels to France to attend the wedding of her estranged daughter (Taylor), inciting a series of wildly farcical complications involving a Machiavellian mother-in-law (Lucile Watson), an amorous acrobat (Cesar Romero) and a not-quite-ex-husband (Pidgeon).
Please note: We will be screening a 16mm archive print which cannot be cut and mounted onto one reel. There will be brief pauses for reel changes.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


