Introduction by Jean-Marie Teno. Q&A with Papa Madieye Mbaye.
El Hadji, an Islamic faithful, returns from his holy pilgrimage to Mecca, and falls in love with his daughter’s friend Santou, who is already engaged to be married. However, El Hadji already has two wives, and his second wife, Gaika, cannot stand the idea of another younger woman entering her house. Oumarou Ganda’s film depicts the rift between tradition and modernity during the period of Nigerien emancipation, and it serves as an homage to the age of African independence that gave way to the classic era of Francophone African cinema, which depicted the social struggles that come with emancipation discourse. Le Wazzou Polygame won the top prize at the 1972 FESPACO awards (Panafrican Film and Television Festival of Ouagadougou), and was cited for cultivating a theme of liberation and humanization in African cinema.
Papa Madièye Mbaye, Senegal, 2002, 28m
Wolof with English subtitles
Senegalese director Djibril Diop Mambéty, one of the greatest figures in all of African film, died in 1998. In this behind-the-scenes documentary, shot during the making of his final work, The Little Girl Who Sold the Sun / La petite vendeuse de soleil, Mambéty speaks with his technicians, prepares the actors, talks with his young star, and, in voiceover, shares his thoughts on cinema and life.