Love & Basketball

Gina Prince-Bythewood

Produced by Spike Lee, Gina Prince-Bythewood’s semi-autobiographical film paints a nuanced, involving picture of the emotional processes of self-discovery that accompany the onset of young adulthood. This film screens in connection with “See Me As I Am,” LCPA’s year-long, campus-wide celebration of celebrated composer, Terence Blanchard.

DIRECTOR
Gina Prince-Bythewood
YEAR
2000
COUNTRY
USA
RUNTIME
124 minutes

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Unfolding across four “quarters” in the lives of its protagonists, writer-director Gina Prince-Bythewood’s first feature charts the ebbs and flows in the relationship of Monica (Saana Lathan) and Quincy (Omar Epps), spanning their early years in Los Angeles as childhood friends—and fierce rivals—connecting over a shared love of basketball, through their respective tenures as high school, college, and professional ball players. During this period—situated in the decade prior to the creation of the WNBA—their youthful friendship grows into a passionate but tumultuous romance, as the on-again-off-again lovers find their deep bond tested by the competing pressures of personal ambition, family tensions, and an all-consuming commitment to the game.

Produced by Spike Lee, Prince-Bythewood’s semi-autobiographical film paints a nuanced, involving picture of the emotional processes of self-discovery that accompany the onset of young adulthood, bolstered by Terence Blanchard’s tenderly reflective musical score and memorable performances from Alfre Woodard and Dennis Haysbert.

Love & Basketball
Love & Basketball
Love & Basketball
Love & Basketball
Love & Basketball
Love & Basketball

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Announcements

This year’s program features more than 50 filmmakers, ranging from acclaimed veterans to exciting new voices, who will be on hand for post-screening Q&As and special appearances, giving audiences an insider’s look into the stories behind their work.

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This week we’re excited to present a conversation with Silent Friend director Ildikó Enyedi and lead actor Tony Leung, moderated by TIME film critic Stephanie Zacharek.

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