
Maddie’s Secret
New Directors/New Films 2026
April 8 - 19
John Early’s first feature, starring the director, in drag, as a bulimic food influencer, is bracingly comic and wrenchingly tender—a Sirkian melodrama from the age of short-form video.
In his feature directorial debut, Emmy-nominated writer-actor-comedian John Early uses high-concept comic conceits to uncover deep social and interpersonal insights. Early himself plays Maddie Ralph, a content creator at “Gourmaybe”—which is definitely not the Bon Appétit Test Kitchen—whose childhood struggle with bulimia resurfaces just as videos of her eggplant smashburgers start to rack up hits. On one level, Maddie’s Secret is like the ’80s and ’90s “movies of the week,” which despite their downmarket status and campy infelicities were among the only films of the era to take women’s issues such as eating disorders seriously. (The title is a nod to 1986’s Kate’s Secret, starring Meredith Baxter as a bulimic housewife.) But the gauzy colors, rapid dollies, and emphatic scoring also evoke the knowing, neoclassical women’s pictures of John Waters and Todd Haynes. Never winking from beneath his wig, Early gives us a Maddie inspired by the high-femme sincerity of Elizabeth Berkeley in Showgirls, and uses the heightened language of melodrama to evoke a manicured, image-conscious Los Angeles where everyone is a potential influencer. A supporting cast full of Early’s fellow alt-comedy icons, including Kate Berlant and Conner O’Malley, underlines the absurdity even as the raw psychodrama pushes toward aching catharsis. A Magnolia Pictures release.














Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


