Much Loved
Rendez-Vous with French Cinema 2016
March 3 - 13, 2016
Controversially banned in Morocco for its “contempt for moral values,” Nabil Ayouch’s portrait of several female sex workers in Marrakech offers a candid and unblinking picture of a subculture that it’s a perilous job to represent on screen.
“What do you know about men?” a voice asks over the opening credits of Nabil Ayouch’s provocative portrait of several female sex workers in Marrakech. “Men are like makes [of cars]: high-end, medium, and sons of bitches. All that matters is the cash.” Noha (Loubna Abidar), Randa (Asmaa Lazrak), and Soukaina (Halima Karaouane) are professional, thick-skinned, and practical about their line of work, which ferries them up and down the city’s class ladder and renders them vulnerable to a catalog of possible abuses. Controversially banned in Morocco for its “contempt for moral values,” Much Loved offers such a candid and unblinking picture of a subculture that it’s a perilous job to represent on screen.
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On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
