Nanny

Nikyatu Jusu

In this psychologically complex fable of displacement tinged with supernatural horror, Diop plays Aisha, a woman recently emigrated from Senegal who is hired to care for the adorable daughter of an unbalanced white couple (Michelle Monaghan and Morgan Spector) living in New York’s Tribeca neighborhood.

DIRECTOR
Nikyatu Jusu
YEAR
2022
COUNTRY
USA
RUNTIME
99 minutes
LANGUAGE
English and Wolof with English subtitles
START DATE
November 23, 2022

Poster Giveaway: Now through December 1, tweet us your Nanny ticket or you at one of our screenings for a chance to win a Nanny poster signed by director Nikyatu Jusu!

Closed captions and audio descriptions are available with our capti-view devices for every screening.

Please note: Open caption screenings of the film will play on Monday, Wednesday, and Fridays at 7:15pm and Saturdays at 2:30pm. Audio descriptions also available.

A riveting Anna Diop commands nearly every frame of director Nikyatu Jusu’s feature debut, a breakout at this year’s Sundance, where it won the Dramatic Grand Jury Prize. In this psychologically complex fable of displacement tinged with supernatural horror, Diop plays Aisha, a woman who recently emigrated from Senegal and is hired to care for the adorable daughter of an affluent couple (Michelle Monaghan and Morgan Spector) living in New York’s Tribeca neighborhood. Increasingly unsettled by the family’s volatile home life, though desperate to make enough money to bring over her young son from Senegal, Aisha begins to unravel, finding her life in America to be more nightmare than dream. Mixing domestic melodrama with American genre elements and West African folklore, Nanny is a spellbinding experience that defies expectation. A 2022 New Directors/New Films selection. A Blumhouse-Amazon Prime Video release.

Watch our ND/NF Q&A below.

Jusu meticulously calibrates the interactions between her characters, revealing a nuanced understanding of race and class relations.

Peter Debrug, Variety
Delivers a powerful punch.
Kate Erbland, IndieWire
The best elevated horror debut since The Babadook.
Andy Crump, Inverse
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