
Night and Day + On the Beach at Night Alone
The Hong Sangsoo Multiverse: A Retrospective of Double Features
April 8 - May 10, 2022
In Night and Day, a successful painter facing pot possession charges flees his sleepy Korean home for the streets of Paris in Hong’s ambling portrait of midlife male discombobulation. On the Beach at Night Alone follows an actress (Kim Minhee) who is hiding out in Hamburg after the revelation of her affair with a married filmmaker; she later returns to Korea, slipping in and out of melancholic reflection and dreams all along the way.
6:30pm Night and Day (144m) | 35mm
A successful painter facing pot possession charges flees his sleepy Korean home for the streets of Paris in Hong’s ambling portrait of midlife male discombobulation. A run-in with an old flame, now unhappily married; a series of tearful phone calls to his wife back home; a cautious affair with a young art student; a visit to a church; brief stirrings of lust and affection and homesickness and regret—Hong captures it all with effortless grace and calm matter-of-factness, until a late-film swerve into fantasy caps the whole thing off with a mischievous question mark. An NYFF46 Main Slate selection.
9:15pm On the Beach at Night Alone (101m)
Hong’s movies have always invited autobiographical readings, and his 19th feature is perhaps his most achingly personal film, a steel-nerved, clear-eyed response to the tabloid frenzy that erupted in South Korea over his relationship with actress Kim Minhee. The film begins in Hamburg, where actress Young-hee (played by Kim herself, who won the Best Actress prize at Berlin for this role) is hiding out after the revelation of her affair with a married filmmaker. Back in Korea, a series of encounters shed light on Young-hee’s volatile state, as she slips in and out of melancholic reflection and dreams. Centered on Kim’s astonishingly layered performance, On the Beach at Night Alone is the work of a master mining new emotional depths. An NYFF55 Main Slate selection.
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