Playtime

Jaques Tati
Part of

Ari Aster Selects

April 14 - 20, 2023

Jacques Tati’s follow-up to films featuring his beloved Monsieur Hulot character was a supremely democratic film starring “everybody,” in which the wonders of modern life relinquish their functionality and become a ravishingly beautiful backdrop to pure human delirium.

DIRECTOR
Jaques Tati
YEAR
1967
COUNTRY
France / Italy
RUNTIME
126 minutes

After the success of Mon Oncle in 1958, Jacques Tati became fed up with his signature Monsieur Hulot character. Slowly, he inched his way toward a new kind of cinema—a supremely democratic film starring “everybody,” in which the wonders of modern life would relinquish their functionality and become a ravishingly beautiful backdrop to pure human delirium. Playtime’s massive set, known as Tativille, was built in Saint-Maurice, in the southeast corner of Paris, complete with its own power plant and approach road and two entire buildings whose amenities included a working escalator. At the end of the road, there lay ignominy and bankruptcy—and one of the great masterpieces of postwar French cinema.

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