
Program 10: Super-8 Short Fuse Incandescence
NYFF51: Views from the Avant-Garde
October 3 - 7, 2013
Blind Alley Augury (Daichi Saito, Canada, 2:05m)
Green Fuse (Daichi Saito, Canada, 3:11m)
Field of View #1 (Daichi Saito, Canada, 3:16m)
Javi (Malena Szlam, Canada, 2011, 2:42m).
Lunar Almanac (Malena Szlam, Canada, 2013, 4m, 16mm)
The Quilpo Dreams of Waterfalls/El Quilpo Sueña Cataratas (Pablo Mazzolo, Argentina, 2012, 11m)
Conjectures/Conjeturas (Pablo Mazzolo, Argentina, 2013, 3:30m)
Photooxidation/Fotooxidación (Pablo Mazzolo, Argentina, 2013, 7m)
Void Redux (Paul Clipson, USA, 2013, 6.5m)
Difficult Loves (Paul Clipson, USA, 2013, 3.5m)
Speaking Corpse (Paul Clipson, USA, 2012, 7.5m)
Carrie at Still (Stom Sogo, USA/Japan 1998, 27m)
(Please note: All films except Photooxidation and Lunas screen in super-8 projection.)
Blind Alley Augury. Daichi Saito, Canada, 2:05min
Mile-End back street juxtaposed vision.
Green Fuse. Daichi Saito, Canada, 3:11min.
An impromptu visual poem portraying a space seen from different viewpoints.
Field of View #1. Daichi Saito, Canada, 3:16min.
“No farther out / than in – / no nearer here / than there.” (Robert Creeley)
Javi. Malena Szlam, Canada, 2011, super 8, 2:42min.
Light breaks the darkness in playful rapture – a film dedicated to my dear friend Javiera.
Lunar Almanac. Malena Szlam, Canada, 2013, 4min, 16mm.
Moons in a journey through magnetic spheres, influencing subtle energies on Earth.
The Quilpo Dreams of Waterfalls/El Quilpo Sueña Cataratas. Pablo Mazzolo, Argentina, 2012, 11 min. Super-8
“This shortfilm is a diary of my days at the Quilpo River, and an old comechingones legend. I shot with my Super 8 camera in an area of the Quilpo river in Cordoba, considered to be sacred by the Comechingones aborigins. The Quilpo doesn´t have waterfalls so these were shot quite more to the south, near Mallín Ahogado in Rio Negro. Then I intervened the undeveloped celluloid with light through different kinds of glass and masks. When I developed the film, I reprinted with light different positive frames over a new virgin celluloid. Material creating material. The river feeding itself. The film implodes. I try generating conditions for the unexpected to appear.” P.M.
Conjectures/Conjeturas. Pablo Mazzolo, Argentina, 2013, 3:30min.
Conjectures about the animal that bumps into itself, aims for big things, and gets sick of it all.
Photooxidation/Fotooxidación. Pablo Mazzolo, Argentina, 2013, 7min.
De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons.
Void Redux. Paul Clipson, USA, 2013, Silent 6.5 min.
A nervous portrait of a Zagreb train station filmed from the tracks. The imminent impact leads to seeing stars.- P.C.
Difficult Loves. Paul Clipson, USA, 2013, 3.5min. (Music by Jefre Cantu-Ledesma)
A love poem of intimate immensities, featuring a theater of waters, lights and flowers. Filmed in San Francisco's Botanical Gardens and my backyard. -P.C.
Speaking Corpse. Paul Clipson, USA, 2012, 7.5min. (Music by Jefre Cantu-Ledesma)
A spinning collage of night lights envelopes the figure of a man (Trevor Montgomery) lost within a vast ATM metropolis. Filmed in San Francisco's Tenderloin and a Best Western hotel room in Zagreb.- P.C.
Carrie at Still. Stom Sogo, USA/Japan 1998, 27 min., (From the collection of Anthology Film Archives)








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