
Royal Flash
Richard Lester: The Running Jumping Pop Cinema Iconoclast
August 7 - 13, 2015
A rakish soldier (Malcolm McDowell) is forced to impersonate a Danish prince and marry a duchess in the only adaptation to date of George MacDonald Fraser’s satiric Flashman novels.
A great fan of The Flashman Papers, a series of novels by George MacDonald Fraser about the exploits of rakish 19th-century soldier Harry Flashman, Lester sought to make a film of the first book, which detailed Flashman’s misadventures in Afghanistan. The project was shuttered, but the success of Lester’s Musketeers films (scripted by Fraser) and the similarity of the second book to cinematic evergreen The Prisoner of Zenda enabled that story to reach the screen—the only Flashman tale filmed thus far. Malcolm McDowell plays the titular cad, forced by Otto von Bismarck (Oliver Reed) to impersonate a Danish prince and marry a German duchess (Britt Ekland). Shot partly on location in Bavaria, the film retains the irreverent tone of the books and introduced Bob Hoskins (cast as a police constable) to a global audience.

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Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.


