
Shadows and Fog
Woody Allen’s ode to German expressionism, Kafka, and the music of Kurt Weill lets the actor’s nebbish persona loose in a chiaroscuro maze and allows Di Palma to indulge in one eerily atmospheric image after another.
In his ode to German expressionism, Kafka, and the music of Kurt Weill, Woody Allen makes style a delightful end in itself. A funny, unpredictable exercise in mood that allows cinematographer Carlo Di Palma to indulge in one eerily atmospheric image after another, the black-and-white Shadows and Fog lets Allen’s nebbish persona—here named Kleinman—loose in a chiaroscuro maze. Wrongly fingered as a serial killer, Kleinman finds himself on the run from a vigilante mob, his nocturnal journey intersecting with the lives of a succession of circus performers, prostitutes, and magicians. The pleasingly bizarre cast includes Madonna, John Malkovich, John Cusack, Jodie Foster, and Kathy Bates.




Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


