
Shadows and Fog
Woody Allen’s ode to German expressionism, Kafka, and the music of Kurt Weill lets the actor’s nebbish persona loose in a chiaroscuro maze and allows Di Palma to indulge in one eerily atmospheric image after another.
In his ode to German expressionism, Kafka, and the music of Kurt Weill, Woody Allen makes style a delightful end in itself. A funny, unpredictable exercise in mood that allows cinematographer Carlo Di Palma to indulge in one eerily atmospheric image after another, the black-and-white Shadows and Fog lets Allen’s nebbish persona—here named Kleinman—loose in a chiaroscuro maze. Wrongly fingered as a serial killer, Kleinman finds himself on the run from a vigilante mob, his nocturnal journey intersecting with the lives of a succession of circus performers, prostitutes, and magicians. The pleasingly bizarre cast includes Madonna, John Malkovich, John Cusack, Jodie Foster, and Kathy Bates.




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