Shankar’s Fairies
New Directors/New Films 2022
April 20 - 1, 2022
In her delicately composed, heartrending debut fiction feature, Majumdar recreates the cloistered world of a young girl growing up in a privileged household in India in the 1960s and her bond with her parents’ servant, Shankar.
Featuring a special video introduction from Irfana Majumdar!
In her delicately composed, heartrending debut fiction feature, Irfana Majumdar recreates the meticulous, cloistered world of a young girl growing up in a privileged household in India in the early 1960s. The sensitive child of a senior police official, Anjana (Shreeja Mishra) forges a close bond with her parents’ servant, Shankar (Jaihind Kumar), who acts kindly toward her though he remains separated from his own daughter, who lives back in his village. Evoking her mother’s childhood memories, Majumdar dramatizes intimate moments that quietly, persuasively speak to the country’s deeply entrenched caste system and lingering colonialist mindset, while also using the camera to capture the beauty and tactility of the girl’s physical world.
Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
