
Sicilia!
Allegedly living in New York for fifteen years, a man returns to his native hometown in Sicily to visit his mother after receiving a troubling letter from his father. Taking Elio Vittorini’s 1941 novel Conversations in Sicily as its basis, Sicilia! parlays the allegorical setup into four vivid, euphonious dialogues exploring class, memory, and family in the backdrop of the modern Italian countryside.
Allegedly living in New York for fifteen years, a man returns to his native hometown in Sicily to visit his mother after receiving a troubling letter from his father. Taking Elio Vittorini’s 1941 novel Conversations in Sicily as its basis, Sicilia! parlays the allegorical setup into four vivid, euphonious dialogues exploring class, memory, and family in the backdrop of the modern Italian countryside. Filmed in Syracuse and Messina, Straub-Huillet’s pristine black-and-white tragicomedy is an unhurried impression of Vittorini’s classic text, finely honed by the filmmakers’ beguiling approach to composition and performance. An NYFF37 selection. A Grasshopper Film release.






Read More
James Gray’s Paper Tiger Will Open the 64th New York Film Festival
FLC announces James Gray’s Paper Tiger as the Opening Night selection of the 64th New York Film Festival, presented in partnership with Rolex. The film will make its North American premiere in a gala debut at Alice Tully Hall on Friday, September 25, with Gray and members of the cast and crew in attendance.
Scary Movies XIV Brings Horror and Genre-bending Cinema to Film at Lincoln Center, August 12–20
Running August 12 through August 20, the 16-film festival will premiere new works alongside special presentations of spine-tingling classics and rediscoveries conjured from the dark recesses of midnight-movie lore, with filmmakers and special guests appearing for post-screening Q&As.
Lana Daher on Her Documentary Do You Love Me
This week we’re excited to present a conversation from the 2026 edition of New Directors/New Films with Do You Love Me director Lana Daher.


