
Stranger
One of China’s most exciting up-and-coming cinematic talents emerges in this dazzling series of long takes that investigate social, political, and economic identity in a bravura display that recalls Chantal Akerman or Béla Tarr.
Q&A with Zhengfan Yang on April 6 at 2:45pm (FLC) and April 8 at 8:45pm (MoMA)
A woman confesses on her livestream. Two men get interrogated by increasingly agitated police. Wedding photos are taken while the groom indulges a major secret. These and other scenarios unfold in Zhengfan Yang’s Stranger, which investigates China’s social, political, and economic identity through long takes that continually evolve, surprise, and dazzle. But Stranger is more than a bravura display to recall Chantal Akerman or Béla Tarr—its command of space and movement set the stage for an actor’s showcase and master class in narrative delineation that confirms Yang as one of China’s most exciting up-and-coming cinematic talents.


Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


