The Camera: Je or La Camera: I

Babette Mangolte
Part of

The Female Gaze

July 26 - August 9, 2018

Visionary cinematographer Babette Mangolte allows viewers to peer through the lens of her camera in this heady consideration of the complex relationship between photographer, subject, and viewer.

DIRECTOR
Babette Mangolte
YEAR
1977
COUNTRY
USA
RUNTIME
88 minutes

Though perhaps best known as the cinematographer for Chantal Akerman’s groundbreaking 1970s work—as well as for her collaborations with avant-garde icons like Yvonne Rainer, Trisha Brown, and Marina Abramović—Babette Mangolte is a singular cinematic visionary in her own right. In this structuralist auto-portrait, Mangolte allows viewers to peer through the lens of her camera as she produces a series of still photographs, first of models, then of the streetscapes of downtown Manhattan. As we experience the act of image-making through her eyes, what emerges is a heady consideration of the art and act of seeing and of the complex relationship between photographer, subject, and viewer.

Download The Female Gaze brochure or read below.

The Camera: Je or La Camera: I
The Camera: Je or La Camera: I

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