
The Dance of the Sun
Dance on Camera 2015
January 30 - February 3, 2015
Q&A with Ami Skånberg Dahlstedt!
Swedish choreographer Ami Skånberg Dahlstedt explores her fascination with The Sun Goddess, the haunting legend that serves as the basis for much of Japan’s dance and theater, both classical and contemporary. Screening with The Realm of Nothingness (Kathy Rose, 7m).
Q&A with Ami Skånberg Dahlstedt!
Ami Skånberg Dahlstedt is a Swedish choreographer immersed in Japanese mythology. She is drawn to the haunting legend that serves as the basis for much of Japan’s dance and theater, both classical and contemporary: The Sun Goddess, who hides in a cave, plunging the word into darkness, until the Goddess of Laughter lures her out with “crazy dancing” and the world returns to light. Dahlstedt’s journey also takes her to Kyoto, where she practices alongside her teacher, the beautiful Nishikawa Senrei. We also meet shrine maidens, a flutist who plays a 600-year-old instrument, transgender artists, and many others.
Screening with:
The Realm of Nothingness
Kathy Rose, USA, 2013, DCP, 7m
A dance of puppet-like figures and mesmerizing forms accompanied by percussive rhythms. Kathy Rose, fascinated by Noh and Japanese theater, creates a magical spectacle in which figures flow and drip in a universe of their own.


Read More
Lana Daher on Her Documentary Do You Love Me
This week we’re excited to present a conversation from the 2026 edition of New Directors/New Films with Do You Love Me director Lana Daher.
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.


