The Day a Pig Fell Into the Well + Grass

Hong Sangsoo

Hong’s acclaimed feature debut, The Day a Pig Fell Into the Well, begins as a study of an affair between a temperamental writer and a married woman, and gradually zooms outward to reveal its tragic ripple effects on the lives of a germaphobic businessman and a young movie-theater ticket-taker. In Grass, a young woman sitting in a cafe eavesdrops on three dramatic situations in this rawly emotional and formally elegant chamber piece.

DIRECTOR
Hong Sangsoo
YEAR
1996, 2018
COUNTRY
South Korea
RUNTIME
181 minutes
LANGUAGE
Korean with English Subtitles
START DATE
May 5, 2022

2:00pm The Day a Pig Fell Into the Well (115m)
Hong’s acclaimed feature debut begins as a study of an affair between a temperamental writer (Kim Eui-sung) and a married woman (Lee Eun-kyung), and gradually zooms outward to reveal its tragic ripple effects on the lives of a germaphobic businessman (Park Jin-sung) and a young movie-theater ticket-taker (Cho Eun-sook). Though more somber in tone than many of Hong’s subsequent seriocomedies, this multi-strand drama displays his masterful touch in its unsparing look at the complexities of love (particularly when combined with alcohol) and the heart-tearing void that remains in its absence.

4:15pm Grass (66m)
Sitting in a café, typing on a laptop, Areum (Kim Minhee) eavesdrops on three dramatic situations unfolding in her general vicinity: a young woman bound for Europe and a male friend erupting in vitriolic accusations, a washed-up actor trying to sweet-talk his way into staying with an old friend, and a narcissistic actor-director (Jung Jin-young) trying to rope a young writer into his next project. Playing out largely in long-take two-shots, these conversations create a kind of never-ending theatrical performance, using Areum as the anchor. With its raw emotions and outward formal simplicity masking a complex episodic approach, Grass finds Korean master Hong setting up a fascinating narrative problem for himself and solving it as only he can.

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