
The Day a Pig Fell Into the Well + Grass
The Hong Sangsoo Multiverse: A Retrospective of Double Features
April 8 - May 10, 2022
Hong’s acclaimed feature debut, The Day a Pig Fell Into the Well, begins as a study of an affair between a temperamental writer and a married woman, and gradually zooms outward to reveal its tragic ripple effects on the lives of a germaphobic businessman and a young movie-theater ticket-taker. In Grass, a young woman sitting in a cafe eavesdrops on three dramatic situations in this rawly emotional and formally elegant chamber piece.
2:00pm The Day a Pig Fell Into the Well (115m)
Hong’s acclaimed feature debut begins as a study of an affair between a temperamental writer (Kim Eui-sung) and a married woman (Lee Eun-kyung), and gradually zooms outward to reveal its tragic ripple effects on the lives of a germaphobic businessman (Park Jin-sung) and a young movie-theater ticket-taker (Cho Eun-sook). Though more somber in tone than many of Hong’s subsequent seriocomedies, this multi-strand drama displays his masterful touch in its unsparing look at the complexities of love (particularly when combined with alcohol) and the heart-tearing void that remains in its absence.
4:15pm Grass (66m)
Sitting in a café, typing on a laptop, Areum (Kim Minhee) eavesdrops on three dramatic situations unfolding in her general vicinity: a young woman bound for Europe and a male friend erupting in vitriolic accusations, a washed-up actor trying to sweet-talk his way into staying with an old friend, and a narcissistic actor-director (Jung Jin-young) trying to rope a young writer into his next project. Playing out largely in long-take two-shots, these conversations create a kind of never-ending theatrical performance, using Areum as the anchor. With its raw emotions and outward formal simplicity masking a complex episodic approach, Grass finds Korean master Hong setting up a fascinating narrative problem for himself and solving it as only he can.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


