
The Last Detail
I Found This Funny: The Comedy World of Judd Apatow
July 10 - 14, 2015
Two career sailors, tasked with escorting a young seaman to naval prison, decide to show him a good time along the way. Echoes of Hal Ashby’s New Hollywood classic, sparked by Jack Nicholson’s zesty performance and Robert Towne’s foul-mouthed script, resound throughout Apatow’s films.
Naval petty officers “Badass” Buddusky (Jack Nicholson) and “Mule” Mulhall (Otis Young) are assigned to escort 18-year-old seaman Larry Meadows (Randy Quaid) to a naval prison, where he’ll serve eight years for stealing $40 from his Admiral’s wife’s charity. Taking a shine to the luckless lad, the two career sailors decide to show him a good time in the major cities between Virginia and New Hampshire. Notable for Robert Towne’s foul-mouthed screenplay, which held the record for expletives in the callow pre-Tarantino days—Columbia Pictures stalled production for years hoping Towne would clean up the language. Nicholson’s zesty performance won Best Actor at Cannes; he, Quaid, and Towne received Oscar nods; and Andrew Sarris praised Hal Ashby’s “sensitive, precise direction.” Look fast for Gilda Radner as a Nichiren Shoshu Buddhist in her movie debut. Echoes of this New Hollywood classic resound throughout Apatow’s films.





Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


