
The Nightmare
Opens June 5
Rodney Ascher’s follow-up to Room 237 is a terrifying exploration of sleep paralysis, featuring eight real-life victims whose vivid recollections are stylishly reenacted and as unsettling as they are impossible to look away from.
Opens June 5
After assembling a motley crew of conspiracy theorists and devotees who offered wildly varied interpretations of The Shining in 2012’s hit essay-film Room 237, Rodney Ascher’s sophomore feature trains its focus on an all-too-real form of terror: sleep paralysis. Suspended in a state between dream and reality—aware of their surroundings but unable to physically move—we watch and listen to eight real-life victims whose vivid recollections of intruders, demons, and near-death experiences would be frightening and compelling enough to stand on their own. Yet Ascher supplies these tales of night terrors with hallucinatory reenactments and jump-scares that, juxtaposed with clips from the likes of A Nightmare on Elm Street and Jacob’s Ladder, are right at home in the horror genre. Ascher’s stylized exploration of this frightening phenomenon and the community that suffers from it is at once unsettling and playful, enigmatic and impossible to look away from. A Gravitas Ventures release.
Check out an exclusive, hair-rising clip from the film here.
Sundance Film Festival 2015
SXSW Film Festival 2015
“Playful, probing, and terrifying…. One of the most intriguing—and most discussed—films at this year’s Sundance Film Festival.” —Bilge Ebiri, Vulture
“The Nightmare manages a tricky balance of visceral fright and sincere investigation. It's a rare non-fiction achievement that earns the ability to freak you out.” —Eric Kohn, Indiewire





Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


