The Other Day
Art of the Real 2017
April 20 - May 2, 2017
Ignacio Agüero’s documentary encompassed his family and national history, Chile’s economic problems, identity, and nature even while being shot primarily inside his home and through a door that leads to the street.
Ignacio Agüero fashions a documentary that manages to encompass his family and national history, Chile’s economic problems, identity, and nature via the most low-key of approaches: the film is shot primarily inside his home and through a door that leads to the street, establishing a clear line between the self and the world. Beautifully photographed, this impressive work locates the profound through family heirlooms and encounters with strangers who come knocking.
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Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
