
The Power of Kangwon Province + Right Now, Wrong Then
The Hong Sangsoo Multiverse: A Retrospective of Double Features
April 8 - May 10, 2022
Hong followed his acclaimed debut with The Power of Kangwon Province, an understated diptych concerning a popular retreat in Kangwon, a mountainous region near Seoul. In Right Now, Wrong Then, Hong achieves a maximum of layered nuance with a minimum of people, places, and incidents in a tale of an art-film director and a drunken night he shares with a fledgling artist.
1:00pm The Power of Kangwon Province (109m)
Hong followed his acclaimed 1996 debut, The Day a Pig Fell into the Well, with this understated diptych concerning a popular retreat in Kangwon, a mountainous region near Seoul. At first, the film centers on the recently single Jisook, who joins two friends on vacation and falls into a romantic entanglement with a local policeman. Then, the focus shifts to a listless professor, Sangkwon, visiting Kangwon at the same time as Jisook. Already in his sophomore feature, Hong’s soon-to-be signatures of knotted affairs and boozy small talk unfold across a bold yet unassuming structural experiment that invites multiple viewings.
3:00pm Right Now, Wrong Then (121m)
Ham Chun-su (Jung Jae-young) is an art-film director who has come to Suwon for a screening of one of his movies. He meets Yoon Hee-jung (Kim Min-hee), a fledgling artist. She’s never seen any of his films but knows he’s famous; he’d like to see her paintings and then go for sushi and soju. Every word, every pause, every facial expression, and every movement is a negotiation between revelation and concealment: too far over the line for Chun-su and he’s suddenly a middle-aged man on the prowl who uses insights as tools of seduction; too far for Hee-jung and she’s suddenly acquiescing to a man who’s leaving the next day. So they walk the fine line all the way to a tough and mordantly funny end point, at which time… we begin again, but now with different emotional dynamics. Hong achieves a maximum of layered nuance with a minimum of people, places, and incidents. An NYFF53 selection.
Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


