
The Priests
New York Asian Film Festival 2016
June 22 - July 9, 2016
Spurts of blood? Check. A teenage girl belching obscenities in dead languages? Check. A demon-possessed pig? Check. Yep, it’s an exorcism film. World-weary Kim Yun-seok excels as the head priest and Kang Dong-won as his bright-eyed acolyte, but Park So-dam devours her every scene as the possessed girl.
The Priests is an exorcism film that delivers all of the expected tropes: spurts of blood, swarms of vermin, and a young girl tied to a bed, belching out vulgar threats in dead languages. But because this is a Korean exorcism film, it plunges even further into the abyss, with allusions to teen suicide and clerical molestation, as well as a dash of shamanism. The head priest is played by Kim Yun-seok (The Chaser), who excels as a world-weary man with a personal moral crusade, while Kang Dong-won (Woochi) appears as a fresh-eyed acolyte with demons of his own to exorcise. Park So-dam steals the film from under them as the possessed girl, devouring her every scene. If you want to witness one of South Korea’s biggest heartthrobs dashing through the streets of Seoul with a demon-possessed piglet, then this is the film for you. Presented with the support of Korean Cultural Center New York.





Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


