
The Unknown Policeman
Spectacle Every Day: Mexican Popular Cinema
July 26 - August 8, 2024
The classic “grotesque farce” that launched a widely adored 33-film collaboration between the legendary Cantinflas (Mario Moreno) and director Miguel Melitón Delgado, The Unknown Policeman is a marvelously joke-a-minute comedy about mistaken identity.
Introduction by Cecilia Barrionuevo on July 27
“Despite the fact that I have directed more than 102 films in which Cantinflas does not appear, people still identify me as his director; all the films I made with him were made with direct sound, because due to his peculiar way of speaking, it was practically impossible for Mario Moreno to do dubbing.” –Miguel M. Delgado
The classic “grotesque farce” that launched a widely adored 33-film collaboration between the legendary Cantinflas (Mario Moreno) and director Miguel Melitón Delgado, The Unknown Policeman is a marvelously joke-a-minute comedy about mistaken identity. It stars the iconic comic as Chato, a poor chap who, desperate for his wife and mother-in-law’s approval, gets into a scuffle with a gang of thieves and emerges as the heroic Agent 777—a master of disguise and the actor’s most beloved, oft-revisited creation. Hailed by Chaplin himself as the world’s greatest comedian, Cantinflas—with his own ragamuffin tiny mustache, grubby vest, and a rope for a belt—was something like the Tramp by way of Abbott & Costello… and something else entirely new: a virtuosic subversive who used his physicality, acerbic wit, and hilarious gift of gab to satirize everyone from the police to politicians to social elites.
Courtesy of Filmoteca UNAM’s collection.

“A pesar de que he dirigido más de 102 películas en las que no aparece Cantinflas, la gente me identifica todavía como su director; todas las películas que con él realicé, se hicieron con sonido directo, porque debido a su peculiar manera de hablar, prácticamente era imposible que Mario Moreno hiciera doblaje.” –Miguel M. Delgado
Cantinflas (Mario Moreno) es un actor que ha alcanzado la categoría de mito. La sola mención de su nombre provoca desde sonrisas a carcajadas.
El Gendarme Desconocido (1941) es la primera película de las 33 que hicieron juntos con Miguel M. Delgado. Una comedia que se centra en la historia de un ciudadano normal que por casualidad termina siendo tratado como héroe. Con ánimo de cambiar la idea que su suegra, Doña Joaquina, tiene de él, el Chato (protagonizado por Cantinflas) intenta demostrar que no es un holgazán y casi por error se enfrenta a los golpes con una banda de ladrones. La policía arriba y lo confunde con un agente especial, el Agente 777.
Abrazando la inocencia, los juegos de palabras y rescatando las particularidades propias de las situaciones ordinarias, Mario Moreno, coloca al humor como la herramienta por excelencia para cuestionar el orden social y denunciar graciosamente la injusticia política de la época. El Gendarme Desconocido es algo que todos amamos ver: una película de Cantinflas.
Cortesía del acervo de la Filmoteca de la UNAM.



Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


