
Three Movie Queens
The Non-Actor
November 24 - December 10, 2017
Throughout the 1930s, Margaret Cram directed the same film again and again by traveling to cities across New England and producing her Movie Queen scenarios with the people who lived there. This program of three such reels gives a rare glimpse into a little-known genre of amateur filmmaking, which achieves a curious poignancy through the repetition of its design.
Free Screening!
Movie Queen, Lubec, Margaret Cram, USA, 1936, 28m
Movie Queen, Lincoln, Margaret Cram, USA, 1936, 37m
Movie Queen, Middlebury, Margaret Cram, USA, 1939, 32m
Throughout the 1930s, Margaret Cram directed the same film again and again. An itinerant filmmaker based in Boston, she made her living by traveling to cities across New England and producing her Movie Queen scenarios with the people who lived there. In each iteration, the eponymous character is a Hollywood star returning to her hometown and visiting nearby businesses, the drama emerging when the Movie Queen becomes the target of a comic kidnapping plot and is ultimately rescued by a local hero. Once shot, the material was quickly processed and assembled so that it could be shown to all involved, granting participants a chance to see themselves and their neighbors in the pictures—ersatz screen idols, if only for one night. This program of three such reels affords a rare glimpse into a little-known genre of amateur filmmaking, which achieves a curious poignancy through the repetition of its design.




Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


