
Through the Olive Trees
A Close-up of Abbas Kiarostami
February 8 - 17, 2013
In the magnificent concluding chapter of the “Koker” trilogy, Kiarostami now looks at the process of filmmaking from a double-layered remove, as a local stonemason, cast in a role in the film-within-the-film, continues to pursue his leading lady long after the director says “cut.”
In the second part of Kiarostami’s lauded “Koker” trilogy, a filmmaker went looking for the stars of his previous film in a remote, earthquake-devastated mountain region, learning about life from the people he met along the way. In the trilogy’s magnificent concluding chapter, Kiarostami looks at the making of the second film, Life and Nothing More…, from the same remove, evoking an Iranian variation on Truffaut’s seminal movie-about-moviemaking, Day For Night. A lovely comedy of moviemaking errors, Through the Olive Trees revolves around the romance between a local stonemason, cast as an actor in the film-within-the-film, who continues to doggedly pursue his leading lady long after the cameras have stopped rolling.



Read More
Scary Movies XIV Brings Horror and Genre-bending Cinema to Film at Lincoln Center, August 12–20
Running August 12 through August 20, the 16-film festival will premiere new works alongside special presentations of spine-tingling classics and rediscoveries conjured from the dark recesses of midnight-movie lore, with filmmakers and special guests appearing for post-screening Q&As.
Lana Daher on Her Documentary Do You Love Me
This week we’re excited to present a conversation from the 2026 edition of New Directors/New Films with Do You Love Me director Lana Daher.
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.


