
Trás-os-Montes
Let Us Now Praise Famous Men: The Films of Pedro Costa
July 17 - 23, 2015
Q&A with Pedro Costa
Reis and Cordeiro’s landmark documentary-fiction hybrid was a major influence on the rebirth of Portuguese cinema and a clear predecessor to Costa’s own blend of verbal folklore with direct cinema, using form to investigate an entire country’s collective unconscious.
Q&A with Pedro Costa
This documentary-fiction hybrid was a major influence on the rebirth of Portuguese cinema, and a landmark in ethnographic filmmaking. Reis and Cordeiro spent a year in the titular region (“beyond the mountains”) in northwest Portugal, filming landscapes and villages and making friends with their peasant subjects, who offer a heady blend of folklore as much as they physically guide us through their evocative surroundings. As observed reality coincides with the persistent murmurings of myth, the flux of life and flow of stories intermingle, creating a palimpsestic merging of past and present. Jean Rouch proclaimed that Reis and Cordeiro had “revealed a new cinematographic language,” and the film is a clear predecessor to Costa’s own blend of verbal folklore with direct cinema, using form to investigate an entire country’s collective unconscious.


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FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
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Exploring conspiracy across Hollywood genres, from espionage and sci-fi to superhero cinema, political biography, Shakespearean adaptation, crime drama, cult psychodrama, and the modern action blockbuster, the series includes the first New York City theatrical screening of Tim Burton’s Batman on 70mm since its original release in 1989.


