Umberto D.
The Non-Actor
November 24 - December 10, 2017
Carlo Battisti, a professor of linguistics from Florence, gave one of the most iconic and moving performances in world cinema in Umberto D—one of Italian neorealism’s great swan songs. For Story of Caterina, their segment of the omnibus Love in the City, Francesco Maselli and Cesare Zavattini asked a young mother to reenact a harrowing episode from her recent past.
Screening with:
Story of Caterina / Storia di Caterina
Cesare Zavattini & Francesco Maselli, Italy, 1953, 30m
Italian with English subtitles
Carlo Battisti, a professor of linguistics from Florence, gave one of the most iconic and moving performances in world cinema in Vittorio De Sica’s transcendently melancholy study of a penniless, elderly pensioner struggling to eke out a living in Rome with his loyal dog Flike. De Sica’s fifth collaboration with the writer Cesare Zavattini, Umberto D. had a disastrous initial release, but it has come to be recognized as the great swan song of Italian neorealism, and one of the most perfect, emotionally devastating films that the movement ever produced. Zavattini and Francesco Maselli’s Story of Caterina, a segment of the omnibus film Love in the City, features Caterina Rigoglioso, a young, unwed mother adrift with her young son on the streets of Rome after being spurned by her family, reenacting this harrowing episode from her own past. This fascinating, unstable vision of neorealism taken to a limit point suggests the risks and rewards of trying, as Zavattini did, to ensure that there was “no gap between life and what is on the screen.” Both courtesy Istituto Luce Cinecittà.
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