
Wild Innocence
Film Comment Selects 2017
February 17 - 23, 2017
The final film Coutard shot, in sprawling black-and-white widescreen, was Philippe Garrel’s tale of a director shooting a film inspired by a past lover, a model who OD’d on heroin.
The final film Coutard shot, in sprawling black-and-white widescreen, was for Philippe Garrel, with whom the cinematographer wrote a fresh last chapter to his career. It’s about a director (Medhi Belhaj Kacem) shooting a film inspired by a past lover, a model who OD’d on heroin (with an echo of Garrel’s own past with singer Nico). As the director struggles to complete the film, he’s sucked into a drug deal by his producer (Michel Subor), and things only get darker from there.
Please note: this screening will take place in the Elinor Bunin Munroe Film Center.
Read More
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.


