World Without End (No Reported Incidents)
Art of the Real 2017
April 20 - May 2, 2017
Jem Cohen (Museum Hours) offers a sweet-hearted, structuralist look at three cities along the Thames Estuary: Southend-on-Sea, Leigh-on-Sea, and Canvey Island.
Perfectly encapsulating the sweet-hearted chatter unique to small-town England, Jem Cohen offers views of three different (yet almost identical) cities along the Thames Estuary: Southend-on-Sea, Leigh-on-Sea, and Canvey Island. With a structuralist approach, Cohen (Museum Hours) shows the high street, black sand dunes, and shops with great care; meanwhile, the cities’ inhabitants offer insights into the class codes of hats, Indian curry, the imaginary beaches of London, and punk rock (courtesy of members of Dr. Feelgood). A Grasshopper Film release.
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Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
