30th New York Film Festival
The 30th New York Film Festival took place September 25 – October 11, 1992 at Film at Lincoln Center.
Main Slate
Olivier Olivier (Agnieszka Holland) (Opening Night)
Night and the City (Irwin Winkler) (Closing Night)
Allah Tantou (David Achkar) and Lumumba: Death of a Prophet (Raoul Peck)
And Life Goes On, aka Life and Nothing More… (Abbas Kiarostami) with My Little Eye (Benjamin Ross)
Autumn Moon (Clara Law) with Are We Still Married? (Brothers Quay)
“Avant-Garde Visions”: John Five (James Herbert), Short Fuse (Warren Sonbert), and Side/Walk/Shuttle (Ernie Gehr)
Benny’s Video (Michael Haneke) with Deeper Still (Anthony Nielson)
Careful (Guy Maddin) with Amelia Rose Towers (Jackie Karkas)
The Crying Game (Neil Jordan)
Delivered Vacant (Nora Jacobson) with Shown with Southwest (Richard R. Hall)
Dream of Light (Víctor Erice)
Hyenas (Djibril Diop Mambéty) with Perpetual Motion (Karen Aqua)
Idiot (Mani Kaul)
In the Soup (Alexandre Rockwell) with Milk of Amnesia (Jeffrey Noyes Scher)
Léolo (Jean-Claude Lauzon) with One Thousand Dollars (Sergio Castilla)
The Lovers on the Bridge (Leos Carax)
Man Bites Dog (Rémy Belvaux, André Bonzel, and Benoît Poelvoorde) with Rapture (Sara Whitely)
The Oak (Lucian Pintilie)
La sentinelle (Arnaud Desplechin)
Stone (Aleksandr Sokurov) with Definitely Sanctus (Gerhard Ertl and Sabine Hiebler)
The Story of Qiu Ju (Zhang Yimou) with Square of Heroes, March 12, 1988 (Johannes Rosenberger)
Strictly Ballroom (Baz Luhrmann) with Mon Desir (Nicky Marshall)
“Taking the Pulse” – three short works by master cinematic satirists: Pets or Meat: The Return to Flint (Michael Moore), Seen from Elsewhere (Denys Arcand), and A Sense of History (Mike Leigh)
A Tale of Winter (Eric Rohmer)
La vie de bohème (Aki Kaurismäki) with The Addict (Matt Thomas Draper)
Zebrahead (Anthony Drazan) with Light Years Through the Heart: The Story of Fei & Miguel (Catherine Tse)
RETROSPECTIVE
“Masters of Shadows: A Tribute to Gabriel Figueroa”: selected films shot by the great cinematographer, organized by the Film Society in collaboration with the Mexican Film Institute and the UCLA Film Archive.
Woman in Love (Emilio Fernandez)
The Fugitive (John Ford)
Macario (Roberto Gavaldon)
The Night of the Iguana (John Huston)
The Pearl (Emilio Fernandez)
Two Mules for Sister Sara (Don Siegel)
The White Rose (Roberto Gavaldon)
The Young One (Luis Bunuel)
VIDEORAMA: A CELEBRATION OF INTERNATIONAL VIDEO ART
Splash (Thomas Harris)
Juggling Gender (Tami Gold)
Roch Hudson’s Home Movies (Mark Rappaport)
Damaged Visions (Shalom Gorewitz)
Neighbours (Dannah Naybalt)
66 Was a Good Year for Tourism (Amit Goren)
Dog Baseball (William Wegman)
Dangerous Ideas: Todd Alcott (Skip Blumberg)
White Homeland Commando (Elizabeth LeCompte)
Tonbe/Leve (Patricia Benoit)
Haiti: Killing the Dream (Babeth, Katherine Kean, Hart Perry & Rudi Stern)
Identity Crisis (Mindy Faber)
Black and White in Color (Isaac Julien)
The Creeping Crimson (George Kuchar)
New York Conversations (Vivienne Dick)
Les oeufs a la coque (Valerie Lalonde & Richard Leacock)
Teddy Dibble’s Video Shorts (Teddy Dibble)
Long Distance Love (Franc Planas Guillot)
The Passing (Bill Viola)
Glass Jaw (Michael O’Reilly)
It Wasn’t Love (Sadie Benning)
Doin’ Time in Times Square (Charles Ahearn)
History and Memory (Rea Tajiri)
Palestinian Diaries (Tamouz Media)
Majorca-Fantasia (Nam June Paik)
The Nervous Thing (Eder Santos)
TV Dante-Carlos 9-14 (Raul Rúiz)
Vissions of Light: The Art of Cinematography (Arnold Glassman, Todd McCarthy & Stuart Samuels)


NYFF30 POSTER BY WILLIAM WEGMAN
