
Ran
53rd New York Film Festival
September 25 - October 11, 2015
Inspired by the life of a 16th-century warlord and Shakespeare’s King Lear, Akira Kurosawa’s astonishing medieval epic was a decade in the planning and making. The finished work is, to put it mildly, a mind-blowing experience.
The 1985 New York Film Festival opened with Akira Kurosawa’s astonishing medieval epic, inspired by the life of Mori Motonari, a 16th-century warlord with three sons. It was only after he began writing that the filmmaker started to see parallels with King Lear. It took a decade for Kurosawa to bring his grand conception to the screen—he actually painted storyboards of every shot along the way, and made another great film, Kagemusha, as a dry run. The finished work he eventually gave us is, to put it mildly, a mind-blowing experience. Tatsuya Nakadai is the warlord, Akira Terao, Jinpachi Nezu, and Daisuke Ryu are his sons, Mieko Harada is the terrifying Lady Kaede, the score is by Toru Takemitsu, but the dominant force looming over every single element of this film, down to the smallest detail, is Kurosawa himself. The color palette of Ran is unlike that of any other movie made before or since, as you’ll see in this newly restored version. Restoration by StudioCanal with the participation of Kadokawa Pictures. A Rialto Pictures release.
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