
Program 4: Form and Function
56th New York Film Festival
September 28 - October 14, 2018
This program features Mixed Signals by Courtney Stephens, Luminous Shadow by Mariana Caló and Francisco Queimadela, The Glass Note by Mary Helena Clark, and Walled Unwalled by Lawrence Abu Hamdan.
Q&A with Courtney Stephens, Mary Helena Clark, and Walled Unwalled producer Jarred Alterman on October 6
Mixed Signals by Courtney Stephens
North American Premiere, USA, 2018, 16mm, 8m
Stricken with an undisclosed illness, the narrator of this reflexive work draws evocative parallels between the darkened hulls of an industrial ocean liner and an increasingly disorienting mental state. Courtney Stephens was inspired by the nautical imagery and turbulent inner monologue of Hannah Weiner’s maritime code poems.
Luminous Shadow / Sombra Luminosa by Mariana Caló and Francisco Queimadela
North American Premiere, Portugal, 2018, 22m
A meditation on the human form and its many representations over the centuries, this archaeological essay compiles images of statues, photos, sketches, and news clippings from Portugal’s Jose de Guimarães International Arts Centre. The filmmakers conjure a slipstream of interrelated origin stories via brief bits of narration and tableaux of various animal and mineral elements.
The Glass Note by Mary Helena Clark
U.S. Premiere, USA, 2018, 9m
In this elliptical audiovisual diary, cinema’s extrasensory capacity is given surprising form. Here, what we see (the human throat, Gothic statuary, digitally generated furniture) often contradicts what we hear (birdsong, tightly wound rope, lithophonic stones), but the combined effect speaks to a utopian and universal ideal of filmic language.
Walled Unwalled by Lawrence Abu Hamdan
U.S. Premiere, Germany, 2018, 21m
Lawrence Abu Hamdan finds in a former GDR state radio station a perfect conduit for his ongoing cinematic interrogation of the political dimensions of sound. Centered on a series of court cases that used auditory or sensory evidence based on information gathered through walls, the film is staged within three soundproof booths, in which a live narrator recites witness testimonies while projected text and images create organic superimpositions. It’s an exploration of the fundamental abstractions of seeing and listening.





Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


