Cutting the Mushroom
Mike Crane, 2021 USA, 22m
An email correspondence between the filmmaker and a mysterious online art dealer in the Baltic develops into a strangely intimate exchange about art and authenticity, media of questionable provenance, digressive Wikipedia research, and—to borrow the title of Hans Richter’s 1947 film—dreams that money can buy.
Ross Meckfessel, 2021, USA, 12m
Inescapable forces intersect in Ross Meckfessel’s Estuary when the increasingly unreal landscape of everyday life is invaded by the hyperreality of computer graphics and AI social-media influencers. The analog and the digital vie and blend with each other as Nature, dissected and repackaged, reemerges in pixel form.
Zachary Epcar, 2021, USA, 15m
The boxy architecture and cordoned greenery of luxury housing developments populate a series of uniform urban spaces, which Zachary Epcar depicts as a sequence of precise frames, stock gestures, and preprogrammed phrases, drifting into entropy. What wayward flows, what eruptions of energy, can be found beneath the flat surfaces and grid-like structures of The Canyon?
Ericka Beckman, 2020, USA, 15m
In Reach Capacity, the rapacious world of the urban real-estate market takes on the form of a playfully obsessive, yet violently deterministic system. Combining mechanical musical numbers, digital objects, and board-game parameters, Ericka Beckman converts lower Manhattan into a giant Monopoly board upon which real-estate speculators and contracted labor compete for dominance in a programmatic dance. To see the future, follow the money.