Q&As with Ali Cherri on Oct. 1 & 2
Maher (Maher El Kahir) works as a bricklayer in northern Sudan, not far from the massive hydroelectric Merowe Dam located on the Nile. He spends his off hours laboring over another, more mysterious building project: a towering creature he’s making out of mud. In his debut feature, Lebanese visual artist Ali Cherri has constructed his own indefinable work, a riveting film that straddles the line between nonfiction naturalism and supernatural mysticism. Co-written with Bertrand Bonello and Geoffroy Grison, The Dam metaphorically evokes the destruction caused by the dam’s creation, while also situating the lives of Maher and his fellow workers against the political backdrop of former Sudan leader Omar al-Bashir’s 2019 military deposition. Cherri merges ancient and contemporary worlds in this meditative film about displacement, illusion, and mythmaking.
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