The Seed of the Sacred Fig
Winner of a Special Prize from the jury and three other awards at the Cannes Film Festival after its director escaped a prison sentence from Iran for criticizing the government, Mohammad Rasoulof’s searing drama is an epic of anti-patriarchal political conviction about a judge’s investigator at odds with his progressive daughters.
- Golden Globe nominee for Best Motion Picture (Non-English Language)
A target of Iran’s hardline conservative government for his films’ criticism of the state, director Mohammad Rasoulof fled his home country to avoid an eight-year prison sentence, though he hadn’t finished editing his latest film yet. His searing drama The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its premiere at the Cannes Film Festival. The film is every bit as urgent and gripping as its real-life backstory would portend: longtime government worker Iman (Missagh Zareh) has just received a major promotion to the role of judge’s investigator, to the hopeful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of student protests against the government have exploded in the streets, stoking the sympathies of their independent-minded daughters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The growing wedge between progressive children and traditional parents intensifies through a series of unsettling events that put Iman’s future in jeopardy. Both paranoia thriller and domestic drama, The Seed of the Sacred Fig is above all an epic of anti-patriarchal political conviction. An NYFF62 Main Slate selection. A NEON release.
Closed captions are available with our capti-view devices.
The film asks us to enter a family’s story, but also to acknowledge that we are part of it.
—Alissa Wilkinson, The New York Times
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