Christian Petzold’s (Transit, NYFF56) haunting, beautifully crafted new film stars Paula Beer as a pianist from Berlin who’s taken in by a mysterious woman in an isolated country house after surviving a violent car crash.

Franz Rogowski stars in Christian Petzold’s haunting film as a European refugee who has escaped from two concentration camps and assumes the identity of a dead novelist whose papers he is carrying.

Christian Petzold injects a mythological element into a lush melodrama about a pair of star-crossed lovers (Paula Beer and Franz Rogowski) linked by an affinity for water.

Christian Petzold’s breakout film finds a pair of former far-left militants—on the run since the 1970s—posing as a bourgeois European couple on vacation with their rebellious teenage daughter, who’s hungering for a normal life.

The spectral figures of Christian Petzold’s Ghosts are young nomads on the margins of Europe’s economy, two women drifting between foster homes and menial jobs who forge an ambiguous but tender alliance.

Set in 1980, the first chapter of Christian Petzold’s “Love in Times of Oppressive Systems” trilogy centers around a doctor (Nina Hoss) exiled to a small town from East Berlin as punishment for applying for an exit visa.

Based on the horror classic Carnival of Souls, Yella finds chills in the cold cruelty of a male-driven business culture, where a woman (Nina Hoss) discovers that her new job isn’t as promising as it seems.

The first of Christian Petzold’s many collaborations with actress Nina Hoss reshapes Hitchcock’s classic Vertigo around an attraction between a reserved attorney and a mysterious woman who’s new in town.