La Flor
A decade in the making, Argentinian filmmaker Mariano Llinás’s La Flor is a labor of love and madness that redefines the concept of binge-viewing, shape-shifting from a B-movie to a musical to a spy thriller to a category-defying metafiction to a remake of a very well-known French classic and, finally, to an enigmatic period piece. An NYFF56 selection. A Grasshopper Film release.
Mariano Llinás
2018|
Argentina|
203 minutes
A decade in the making, Argentinian filmmaker Mariano Llinás’s La Flor is a labor of love and madness that redefines the concept of binge-viewing, shape-shifting from a B-movie to a musical to a spy thriller to a category-defying metafiction to a remake of a very well-known French classic and, finally, to an enigmatic period piece. An NYFF56 selection. A Grasshopper Film release.
Mariano Llinás
2018|
Argentina|
188 minutes
A decade in the making, Argentinian filmmaker Mariano Llinás’s La Flor is a labor of love and madness that redefines the concept of binge-viewing, shape-shifting from a B-movie to a musical to a spy thriller to a category-defying metafiction to a remake of a very well-known French classic and, finally, to an enigmatic period piece. An NYFF56 selection. A Grasshopper Film release.
Mariano Llinás
2018|
Argentina|
205 minutes
A decade in the making, Argentinian filmmaker Mariano Llinás’s La Flor is a labor of love and madness that redefines the concept of binge-viewing, shape-shifting from a B-movie to a musical to a spy thriller to a category-defying metafiction to a remake of a very well-known French classic and, finally, to an enigmatic period piece. An NYFF56 selection. A Grasshopper Film release.
Mariano Llinás
2018|
Argentina|
207 minutes
A decade in the making, Argentinian filmmaker Mariano Llinás’s La Flor is a labor of love and madness that redefines the concept of binge-viewing, shape-shifting from a B-movie to a musical to a spy thriller to a category-defying metafiction to a remake of a very well-known French classic and, finally, to an enigmatic period piece. An NYFF56 selection. A Grasshopper Film release.
A decade in the making, Mariano Llinás’s follow-up to his 2008 cult classic Extraordinary Stories is an unrepeatable labor of love and madness that redefines the concept of binge-viewing. The director himself appears at the start to preview the six disparate episodes that await, each starring the same four remarkable actresses: Elisa Carricajo, Valeria Correa, Pilar Gamboa, and Laura Paredes. Overflowing with nested subplots and whiplash digressions, La Flor shape-shifts from a B-movie to a musical to a spy thriller to a category-defying metafiction—all of them without endings—to a remake of a very well-known French classic and, finally, to an enigmatic period piece that lacks a beginning (granted, all notions of beginnings and endings become fuzzy after 14 hours). An adventure in scale and duration, La Flor is a marvelously entertaining exploration of the possibilities of fiction that lands somewhere close to its outer limits. An NYFF56 selection. A Grasshopper Film release.
Part 1 (203m) & Part 2 (188m) screen August 2-8.
Part 3 (205m) & Part 4 (207m) screen August 9-15.
Each part has a five-minute intermission.
See all four parts for a discounted rate of $20 for members & students / $25 for seniors, persons with disabilities, general public. The discounted rate will automatically be reflected in the check-out process once all four parts have been added to your cart.
Single tickets:
$7 Members and Students
$10 General Public & Seniors
All four parts:
$20 Members & Students
$25 General Public & Seniors
