
Wang Bing: The Weight of Experience
One of the great documentarians working today and an intrepid chronicler of the human tribulations underlying modern China’s social and economic transformation, Wang Bing makes films that are epic in duration yet precise in scope.
Wang Bing
2018|
France / Switzerland|
495 minutes|
Mandarin with English subtitles
Wang Bing’s latest is a monumental work of testimony, largely comprised of interviews with survivors of the Jiabiangou and Mingshui re-education camps of the late 1950s.
Wang Bing
2003|
China|
224 minutes|
Mandarin with English subtitles
The first part of Wang’s nine-hour debut epic follows a small group of workers in the industrial Tiexi district in Shenyang employed in three state-owned factories as they deal with the effects of deindustrialization and the advent of the free market on the Chinese economy.
Wang Bing
2003|
China|
178 minutes|
Mandarin with English subtitles
The richly humanist second part of West of the Tracks sensitively chronicles the everyday lives of the families of the state-owned housing block known as Rainbow Row, particularly their teenage children.
Wang Bing
2003|
China|
132 minutes|
Mandarin with English subtitles
The final part of West of the Tracks finds Wang following a resilient coal-scavenger father and his son, who make a living collecting raw parts from the local railyards and selling them to Tiexi’s dwindling factories.
One of the great documentarians working today and an intrepid chronicler of the human tribulations underlying modern China’s social and economic transformation, Wang Bing makes films that are epic in duration yet precise in scope. Forging intimate bonds with his subjects, he captures the plights of individuals and communities in factory towns and rural villages, and demands that we behold the political complexity and moral weight of their struggles. In addition to the New York premiere of his latest, the eight-hour opus Dead Souls, we will also present a rare screening of his debut masterpiece, the three-part West of the Tracks (2002), and the first U.S. showing of the single-shot 15 Hours (2017). Wang himself will join us to discuss these films and his singular art.
Presented with support from the Beijing Contemporary Art Foundation.
Acknowledgments
Galerie Chantal Crousel, Documentary Educational Resources




