The Close-Up: Errol Morris and Chuck Klosterman

June 29, 2017

The Close-Up: Errol Morris and Chuck Klosterman

Photographer Elsa Dorfman taking a portrait of Errol Morris with the 20×24 Polaroid camera on stage after the premiere of The B-Side. Photo by Yuko Torihara.

On this week’s podcast, you’ll hear Errol Morris and Elsa Dorfman talk about the new documentary The B-Side: Elsa Dorfman’s Portrait Photography in a discussion that took place after a screening earlier this week. The film officially opens here at the Film Society this weekend, with another Q&A on Friday, June 30. Click here for tickets.  

Plus, to coincide with the next installment of our Print Screen series tonight, we’re sharing a conversation with author Chuck Klosterman, which took place last summer after he presented a 35mm screening of Peter Watkins’s 1967 black comedy Privilege. Tonight, Yuri Herrera will introduce a 35mm print of Robert Altman’s 1973 neo-noir The Long Goodbye. Herrera’s prize-winning novel Kingdom Cons will be available in English for the first time this June from the publisher And Other Stories. 

Listen below or click here to listen and subscribe on iTunes.

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