
Free Talk: Visions of Africa
Watch the talk here!
“If Africans do not tell their own stories, Africa will soon disappear.” So said Ousmane Sembène, the legendary Senegalese auteur. Over the last many decades, African filmmakers have not only affirmed the existence of the continent on the world stage but created an entirely unique and vibrant language of cinema. This year’s New York African Film Festival showcases a number of facets of this kaleidoscopic film landscape, with works by veteran auteurs, emerging talents, diasporic voices, and pioneering women.
To celebrate the 28th NYAFF and Black History Month, join us for a special panel discussion on the past, present, and future of African cinema with the filmmakers Gaston Kaboré (Wend Kuuni; Buud Yam), Ngozi Onwurah (The Body Beautiful; Shoot the Messenger), Amjad Abu Alala (You Will Die at Twenty), and Hlumela Matika (Tab). Moderated by curator and scholar June Givanni.
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World Premiere of Ava DuVernay’s 14th Will Close the 64th New York Film Festival
Film at Lincoln Center announces Ava DuVernay’s 14th as the Closing Night selection of the 64th New York Film Festival, making its world premiere at Alice Tully Hall on Friday, October 9, with DuVernay and film participants in attendance.
Miroirs No. 3 Director Christian Petzold on His Haunting New Film
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Miroirs No. 3 director discusses his haunting, beautifully crafted new film.
Film at Lincoln Center Launches Fundraiser Auction in Celebration of Marilyn Monroe Centennial
FLC is partnering with Piper-Heidsieck Champagne for a one-night-only special event featuring an archival 35mm print of Howard Hawks’s classic, Gentlemen Prefer Blondes. Click here to read more about the event. This special fundraiser auction features Marilyn Monroe-themed art, memorabilia, and an exclusive trip to Champagne, France, featuring a behind-the-scenes Piper-Heidsieck experience.


