
Bitter Money
Film Comment Selects 2017
February 17 - 23, 2017
Wang Bing’s roving study of migrant laborers in modern China is a sometimes shocking, sometimes lulling immersion into a usually invisible swath of humanity.
An essential chronicler of modern China in constant flux, Wang Bing turns his camera this time on garment workers in Eastern China. His roving study of migrant laborers is a sometimes shocking, sometimes lulling immersion into a usually invisible swath of humanity. Wang’s steady gaze gives the sense of people (many of them teenagers) buffeted about by far more powerful forces, and mired in the daily grind. A prize-winner at last year’s Venice Film Festival, it’s another formidable effort from the director of ’Til Madness Do Us Part and Tie Xi Qu: West of the Tracks.
Please note: this screening will take place in the Elinor Bunin Munroe Film Center.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


