
Black Hawk Down
Past and Prologue: The Films of Ridley Scott
May 25 - June 3, 2012
This visceral, Oscar-winning account of the 1993 battle between U.S. Army Rangers and Somali insurgents in Mogadishu set a new standard for cinematic depictions of men in war.
Nominated for four Academy Awards (including Best Director) and winner of two (for Best Editing and Best Sound), Scott’s visceral, body-shock docudrama about the U.S.-backed invasion of Somalia in the early ‘90s set a new gold standard for cinematic depictions of men in war. Adapted from Mark Bowden’s nonfiction account of the ill-fated “Battle of Mogadishu,” the film takes us play-by-play through a violent standoff between U.S. Army Rangers and Somali insurgents that erupts when one of the Rangers’ helicopters crashes deep within the city center. Mapping every detail of the terrain with astonishing verisimilitude, Scott follows the frantic, often chaotic efforts by which ground and air forces attempt to rescue the downed men amidst heavy enemy fire. Graced with a superb ensemble cast that includes Josh Hartnett, Eric Bana, Ewan McGregor and Sam Shepard, Black Hawk Down finds Scott powerfully revisiting a favorite theme–the futility of war–and, while never taking an overtly political position, implicitly questions America’s self-appointed role as global peacemaker. Released in theaters mere months after 9/11, the film seems even more timely now than it did then.
“Black Hawk Down begins with a quotation from T.S. Eliot: ‘All our ignorance brings us closer to death.’ By the light of its flash-bang grenades, this movie seeks to banish some of that darkness. It offers a paradigm of what war in the 21st century is going to be—modernism run amuck as it defends itself against primitivism, innocence savagely fragmented in incomprehensible combat. Black Hawk Down makes that point without preachment, in precise and pitiless imagery. And for that reason alone it takes its place on the very short list of the unforgettable movies about war and its ineradicable and immeasurable costs.”
—Richard Schickel, Time
“A triumph of pure filmmaking, a pitiless, unrelenting, no-excuses war movie so thoroughly convincing it's frequently difficult to believe it is a staged re-creation.”
—Kenneth Turan, Los Angeles Times


Read More
Experience 10 Films Entirely on 70mm at “It’s All a Big Conspiracy,” July 1–9 at Film at Lincoln Center
Exploring conspiracy across Hollywood genres, from espionage and sci-fi to superhero cinema, political biography, Shakespearean adaptation, crime drama, cult psychodrama, and the modern action blockbuster, the series includes the first New York City theatrical screening of Tim Burton’s Batman on 70mm since its original release in 1989.
Film at Lincoln Center Unveils Summer 2026 Lineup
Film at Lincoln Center announces its lineup of repertory, festival, and new release programming for the upcoming summer season, from June through September 2026.
FLC and NYAFF Announce First Highlights of the 25th New York Asian Film Festival, July 10–26
This year’s program features more than 50 filmmakers, ranging from acclaimed veterans to exciting new voices, who will be on hand for post-screening Q&As and special appearances, giving audiences an insider’s look into the stories behind their work.


