Blade Runner: The Final Cut
Ridley Scott’s seminal science fiction opus dazzled audiences with its vision of a 21st-century Los Angeles choked by neon and drowning in rain, where real human beings are scarcely distinguishable from androids.
Ridley Scott’s seminal science fiction opus dazzled audiences with its vision of a 21st-century Los Angeles choked by neon and drowning in rain, where real human beings are scarcely distinguishable from androids. Adapted from Philip K. Dick’s Do Androids Dream of Electric Sheep?, the story of the “blade runner” Deckard (Harrison Ford in perhaps his finest performance)—a futuristic Philip Marlowe—and his hunt for four renegade “replicants” led by the psychotic Roy Batty (Rutger Hauer) ranks, in terms of narrative and design, among the most influential in modern movies, its lipstick traces evident in a wide array of subsequent sci-fi/fantasy successes including The Crow, Dark City, and the Matrix trilogy.
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Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
