
Daisies
The Power of the Powerless: Banned Films from the Czechoslovak New Wave
September 21 - 23, 2018
A pair of pixieish hell-raisers embark on a giddy, anything-goes pursuit of hedonistic pleasure, gustatory excess, and patriarchy-smashing destruction in Vera Chytilova’s exuberantly experimental call to rebellion.
Introduction by Irena Kovarova on May 27
“When everything is being spoiled…we’ll be spoiled too!” So proclaim two pixieish hell-raisers named Marie I and Marie II, whose radical nihilism leads them on a giddy, giggly, anything-goes pursuit of hedonistic pleasure, gustatory excess, and patriarchy-smashing destruction. Writ in a Dadaist flurry of psychedelic colors, mismatched film stocks, cutout collages, and cartoon sound effects, Vera Chytilova’s exuberantly experimental call to rebellion plays like a Laurel and Hardy romp filtered through the feminist and formalist sensibility of the ’60s avant-garde. Dedicated to “those who get upset only over a stomped-upon bed of lettuce,” the film was banned by authorities for, among other offenses, its unconscionable depiction of food wastage.



Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


