
Dark Eyes
Il Bello Marcello
May 17 - June 23, 2017
Multiple short stories by Chekhov provide the inspiration for this opulent, ironic romance graced with a quintessential, Oscar-nominated Mastroianni performance—by turns elegant, impish, and melancholy.
Aboard a Mediterranean steamship around the turn of the century, Romano (Mastroianni), an aging, once wealthy Italian gentleman, relates his tale of lost love to a Russian traveler. Via nostalgia-tinged flashbacks, he tells of a brief, bittersweet affair with a fragile young Russian woman: how they met at a spa, how he pursued her to Russia, and how a knife twist of fate altered the course of his life. Weaving together multiple short stories by Chekhov (most notably “The Lady with the Dog”), this opulent, ironic romance is graced with a quintessential, Oscar-nominated Mastroianni performance—by turns elegant, impish, and melancholy. The DCP for Dark Eyes is a 4k restoration realized by Istituto Luce Cinecittà, CSC–Cineteca Nazionale and VIGGO Srl in collaboration with Rai Cinema.


Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


