Although Mickey Keating’s Darling, like his Pod from last year, is set mostly within the confines of one home, it is a genuinely New York film—and the city has never felt so ominous or alienating. The title character (an entrancing Lauren Ashley Carter) is hired by a kooky women (Sean Young!) to act as caretaker of a sprawling apartment building with a notoriously haunted history, where she proceeds to have a Repulsion-style psychological meltdown (black and white included). The film’s barebones approach yields considerable rewards, as audiences embark on an emotion-shaking surreal journey—and possible revenge mission—with a young woman who becomes more and more unhinged. Larry Fessenden, whose Glass Eye Pix produced the film, appears briefly as a policeman. A Screen Media Film release.
Q&A with Mickey Keating, Larry Fessenden, and actors Lauren Ashley Carter and Brian Morvant
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