Death Is a Caress

Døden er et kjærtegn
Edith Carlmar

In this offbeat, fascinating film noir—apparently Norway’s first—wealthy socialite Sonja meets handsome, muscular mechanic Erik when she drops off her car for repairs. In person: Ingrid Dokka, a Norwegian film scholar who has written extensively on Edith Carlmar. Discussion following the 6:45pm screening on Friday, April 29.

DIRECTOR
Edith Carlmar
YEAR
1949
COUNTRY
Norway
RUNTIME
92 minutes
ORIGINAL TITLE
Døden er et kjærtegn

In person: Ingrid Dokka, a Norwegian film scholar who has written extensively on Edith Carlmar. Discussion following the 6:45pm screening on Friday, April 29.

In this offbeat, fascinating film noir—apparently Norway’s first—wealthy socialite Sonja meets handsome, muscular mechanic Erik when she drops off her car for repairs. Instantly attracted to each other, they eventually break off other relationships to be together and marry—which is when the real problems begin. Few films have more effectively conveyed a kind of “male hysteria,” as Erik comes to regard his wife increasingly as an enigma whom he can’t control or understand.

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