Jonas Mekas’s first feature—which he wrote, produced, directed, co-photographed and edited—is an entrancing snapshot of the counterculture in the early 1960s and a work of beatnik existentialism concerning the fine line between generational hope and despair. Past and present intertwine as a young woman (Frances Stillman) searches for a reason to go on living amid a bout of paralyzing depression; she encounters a succession of characters (including a cynical intellectual, played by Mekas’s brother and frequent collaborator, Adolfas) who seem to represent some chance at salvation, but the dark cloud overhead refuses to dissipate. In Mekas’s own words, his scrappy yet ambitious and above all lyrical film “deals with the thoughts, feelings, and anguished strivings of my generation, faced with the moral perplexity of our times.” Restored by Anthology Film Archives and The Film Foundation with funding provided by the Hobson/Lucas Family Foundation.

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