Happy as Lazzaro
History, Italian Style
June 4 - 25
A throng of tobacco farmers working on an estate live in a state of extreme deprivation, but nothing is what it seems in Alice Rohrwacher’s transfiguring and transfixing fable, which touches on perennial class struggle and enters the realm of parable.
Showtimes
Wed, June 24
Thu, June 25
In the transfiguring and transfixing third feature from Alice Rohrwacher, we find ourselves amid a throng of tobacco farmers living in a state of extreme deprivation on an estate known as Inviolata, with wide-eyed teenager Lazzaro (nonprofessional discovery Adriano Tardiolo) emerging as a focal point. Although this all seems to be taking place in the past (as implied by the warm grain of Hélène Louvart’s 16mm cinematography), a stunning mid-movie leap vaults the narrative squarely into the present day and into the realm of parable. In a fable touching on perennial class struggle with Christian overtones, Rohrwacher summons the spirit of Pier Paolo Pasolini, while also nodding to Ermanno Olmi and Luchino Visconti. A proper time-traveling conclusion to this program’s chronicle of Italian history through cinema. An NYFF56 selection.
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