
Headhunters
Film Comment Selects 2012
February 17 - March 1, 2012
A slick, charming corporate recruitment specialist leads a double life as an art thief in this twisty and fast-paced thriller that heralds the arrival of an exciting new directorial talent—and will keep you guessing all the way to its finale.
A twisty, fast-paced thriller (adapted from Jo Nesbø's crackling novel) that unexpectedly changes gears and gets tough around the halfway mark. Slick, charming corporate recruitment specialist Roger (Aksel Hennie in a breakout performance) leads a double life as an art thief—mainly in order to support the standard of living to which his art-dealer trophy wife Diana (Synnøve Macody Lund) has become accustomed. At five foot four, Roger suffers slightly from a little-man complex, so although he loves his wife (who really only wants to have a child) he’s not averse to a bit on the side and can be sickeningly smug. But Roger gets much more than he bargained for when he steals a lost Rubens painting from the home of Clas Greve (Nikolaj Coster-Waldau), a candidate for a high-powered job Roger is recruiting for and an old friend of Diana’s. Sheer fun, even when it turns down and dirty, Headhunters is a directorial tour de force that heralds the arrival of an exciting new talent—and it’ll will keep you guessing all the way to its finale.


Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


